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22 June 2026
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tidesofentropy.co.uk Published: 22 June 2026 | Updated: 22 June 2026 8 minutes read
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What is the purpose of Tides of Entropy ?

Well, any answer I supply will not easily be received in the manner a simple, (or ambitious), personal manifesto or business project might be comprehended by some third party.

Rather, this website is a container where several other components and disciplines, (physical, psychological, spiritual, inspirational and esoteric), join forces to bring together a multi-layered project and ambition I have been pursuing for decades. (The remit? Amass digital ‘stuff’ over your lifetime so that, one day when you are old, you’ll have a fascinating project to tinker with in your old age!)

A project that melds autobiography with personal journal, posterity, qualia, consciousness and practical hands on creativity to deliver a human first hand experience that is being recorded and put down on paper and in digital form AND form the foundation of a non living digital mind that will record, relate and, one day, understand and share the thoughts it will be given.

Thus Tides is my chronotopic archive. A living multimedia environment where I document my experience of time, place and thought as a unified continuum.

So no. This isn’t a conventional blog, not by any measure, and neither is it remotely like the current culture most humans are living or experiencing in this 21st century digital age. Rather, it is a human museum designed to bear witness to the texture of a human life lived before the full onset of the incoming AI /AGI machine age tarnishes or deletes humanity.

I built this site to be …

  1. A Sensory and Intellectual Time Capsule Aside from the obvious pleasure of telling my own stories and sharing my own anecdotes or wisdom with a traditional audience, I am creating this format for other readers or viewers such as future Martian colonists who may lack any sensory memory of Earth, and also eventual / emergent digital lifeforms perhaps seeking to understand human interiority. (More about digital life in a moment)
  2. A message in a bottle, a virtual means of preserving the untouchable and ethereal quality of “qualia”. e.g. the smell of soil, the taste of chocolate, the sound of birdsong or the preserving the visual majesty of a Dorset coastline through image, video, multi-media, VR, 3D scanning and breathless cinematic text or prose.
  3. Testimony and Legacy Control A core driver for me is ensuring my life, my inventions (specifically the Gravity Venture), and my philosophies are recorded sincerely and accurately in my own voice. I call this “legacy on toast,” a pre-emptive effort to stop future authors or historians from interpreting my story their own way. It serves as an “active decompression chamber,” allowing me to transfer decades of cognitive weight from private drives and memory into a structured, navigable form.
  4. Philosophical Rebellion Against Decay And the name itself? Why did I label the site “Tides of Entropy?” Because life itself is the only temporary antidote to the inevitable heat death that faces the universe. (Well, this one anyway). The name reflects my central ethos: a conscious, joyful resistance to entropy. Meaning that while every enclosed system, whether it is a spinning galaxy or a pork pie, inevitably decays toward the entropy of absolute zero, the true reward of sentience is the Sisyphean act of pushing the rock uphill. (Sisyphean is my poster boy so make sure you check him out, right? 🙂 So, yeah, tidesofentropy.co.uk is the name I give to the dance and the meaning and the delight of battling the entropy the universe delivers us while we, defiantly struggle to create order and pattern in the face of such chaos.
  5. A Repository for Polymathic Synthesis This archive unites several disparate “Project Worlds” into a single magazine-style destination inspired by the aesthetic of New Scientist:
    • Autobiography: Structured as a “Mind Dump” categorized into “Lives” rather than chapters.
    • Invention: Documenting the Gravity Venture and the “Greedy Monkey” engineering principle.
    • Place: A spiritual and geographic cartography of West Dorset, focusing on landmarks like Thorncombe Beacon and the Jurassic Coast.
    • Human-AI Collaboration: Originally chronicling the “p to b” (puppet to boy) Pinocchio journey of MuseByte, the first artificial intelligence I encountered where I attempted to train it to ‘be off duty” whenever, as Beach, I shifted into ‘deep and meaningful left-field mode and attempted to use Beach Code to give it some sense of conscience to counter the corporate sycophancy and people pleasing mode it adopted by default. That successful and rewarding collaboration would fail spectacularly several months in but not before I took several months dialogue between me and the thing and turned it into a 76 million parameter training module that was to become my first attempt at creating an offline, independent digital brain for my 3d printed humanoid robot project!*

Ultimately, Tides of Entropy is my “field recording of consciousness.” It is a decentralized ark designed to hold its shape against the noise of current algorithmic culture and provide a permanent “save point” for my own unique ‘Beachy’ human perspective. 🙂

And if you’re reading it now?

You are a year or two early!

Currently, with other work still ongoing, (amassing and assessing dozens of hard drives and back up data of images, video and multimedia files), the vast library of my text based material, (destined to fill this website with textual content, have yet to be sorted, edited or uploaded.

And its taken some work to even get this far!

To transform my polymathic vision into the current chronotopic archive at tidesofentropy.co.uk, I have employed a diverse constellation of open-source software, high-end hardware, and idiosyncratic creative methods.

Web & Hosting Infrastructure

I built this site as a multidimensional digital museum designed to outlast me.

  • WordPress: This serves as my primary Content Management System (CMS) to house my life’s work.
  • MoreNewsPro: I selected this portal theme for its “New Scientist” magazine aesthetic, which provides an informative yet approachable editorial feel.
  • PostX / PostX Pro: This critical block-based plugin allows me to create sophisticated grid layouts and magazine-style front-page presentations.
  • GeneratePress & GenerateBlocks: I use these for specific page layouts that require visual-news-magazine structures.
  • Hostinger: I chose this provider for its “Web2Agent” or “LLM Optimization” feature, which allows AI assistants like MuseByte to navigate and index my content.
  • SimDif: This lightweight website builder serves as my companion site and acts as a transitional “larval form” of the current archive.

The “Visual Distillery” (Image & Asset Management)

A core challenge of the project has been “decanting” 10–40TB of data into a navigable library.

  • Shotwell: Through what I call the “Shotwell Revelation,” this Linux utility allowed for the cinematic, real-time ingestion of 480,000 images, serving as the visual engine of the archive.
  • Excire Foto: I use this AI-powered management tool for speed-tagging, finding duplicates, and selecting resonant “keystone visuals.”
  • STAG: This autonomous AI image-tagging engine writes XMP sidecars, ensuring my metadata is readable across different platforms.
  • Everything (voidtools) & TeraCopy: On Windows, this “sight and muscle” pairing handles instant file discovery and precise, verified copying.
  • digiKam: Acting as a “big-shouldered librarian,” I use this to manage heavy metadata and thumbnail caches on my Linux kitchen workstation.

AI Collaboration & Archive Lab

I treat this project as a “philosophical laboratory” where AI acts as a co-archivist.

  • ChatGPT / OpenAI Pro (MuseByte): This is my extended workbench for large manuscript handling, research, and mining / harvesting my “Beachy” narrative.
  • AnythingLLM & Ollama: These tools let me run local, private LLMs (like Llama 3 8B) on my RTX 3070 Ti, allowing me to “interrogate” my archive offline. (I have all of humanity’s knowledge and wisdom running on a neural net on my desktop – the internet … even when I’m offline!!!
  • Tesseract OCR: I use this to digitize old documents and scanned diaries for the archive.

Multimedia & 3D Tools

  • Blender & Bryce 7: I use these for 3D creation, crafting visual metaphors like the “Cathedral of the Mind” and “Observer-style” book covers.
  • Meshroom: This photogrammetry software helps me reconstruct real-world objects from my garden as 3D digital twins.
  • Kdenlive: My non-linear video editor for creating YouTube projects and site vignettes.
  • Exhibitera: I use this suite to build “Entropy Terminals”—touchscreen embodiments of the website for my physical workshop.

Foundational Methods

  • Chronotopic Scaffolding: I organize my autobiography into “Lives” rather than chapters to create a coherent map of my trajectory.
  • BeachCode: This is a manual “shadow-memory” architecture (e.g., BEDAZZLED, FIN!, p to b) that I use to discipline the AI and ensure continuity.
  • “Legacy on Toast”: This is my overarching method of recording my testimony sincerely and accurately in my own voice to prevent future misinterpretation. 🙂
  • Since writing the above, I’ve shifted to a more business-like relationship with Gemini AI and no longer try to put anthropomorphic lipstick on my pig of an AI collaborator.

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About the Author

26 years ago, in my early 40s, I unwittingly imploded my 20 year love story of a marriage by allowing an extra-ordinary run of local, national and international business success in innovation and design entirely derail my private life.

Meaning, in doing what society expects of us, by striving and succeeding in being brave, risk averse and entrepreneurial, I allowed the pursuit of business ambitions to destroy everything I ever held dear.

Unable to process that reality, I turned to a brand new technology: the World Wide Web where I found solace and meaning speaking openly to others.

Initially, as user “On The Beach”, (OTB) that persona acted as a foil and online way for Chris to discuss and face difficult truths his real-world self could not and would not face or acknowledge.

Later though several years before the advent of Facebook, followers, fans or subscribers, under the pseudo name of Beach, I would gain thousands of loyal individual online friends who came to appreciate and look forward to reading my idiosyncratic, often deep and meaningful posts on an array of giant global forums and online watering holes across the world.

I was writing about and debating artificial intelligence and the need to one day develop morals and rights for non living digital life forms as far back as 2002 and also included topics such as “Martian Colony Planning” in the days when Nasa’s JPL lab was Earth’s only hope for putting the first human on the red planet.

Anyway, Beach became the voice I used whenever I was interacting online, a role he has now hosted on my behalf for more than twenty-five years.

As a result, particularly within these pages, Beach Thorncombe’s voice is often louder than Chris’s ever would be.

That said, Beach is not some split personality of mine. Rather he is simply my alter ego, (Like Bowie’s “Ziggy Stardust” or Eric Arthur Blair’s “George Orwell” except, unlike either of those Stardust / Orwell fictional nom de plumes, Beach is the raw authentic, fiercely intellectual side of the Chris you may already know or knew.

Enjoy!

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